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The New Criterion
2 天
Man of action
When, in his essay “The American Action Painters,” Harold Rosenberg described the “encounter” at the heart of the new ...
The New Criterion
4 个月
Week in review
In the London Review of Books, the German-born translator and poet Michael Hofmann pays special attention to Soutine’s ...
The New Criterion
4 天
“Seriously, the best thing I’ve ever heard”
Jay Nordlinger on the Philadelphia Orchestra, conducted by Yannick Nézet-Séguin, in the Mahler Third at Carnegie Hall.
The New Criterion
11 天
San Diego’s fresh sound
Nathan C. Stewart is the Associate Director of the William H. Ralston Listening Library and Archive at the University of the ...
The New Criterion
5 天
Tel Aviv’s Impressionism
Two other artists whose work has recently attracted attention also anchored the show. Although Henri Martin and Jakob ...
The New Criterion
9 天
Death and mourning on the Potomac
Paul du Quenoy on a recital by the baritone Lucas Meachem for Vocal Arts D.C.
The New Criterion
4 天
The Critic’s Notebook
Duccio di Buoninsegna, The Raising of Lazarus, 1310–11, Tempera & gold on panel, Kimbell Art Museum, Fort Worth. Rico Gatson, Untitled (Astral Black I), 2024, Acrylic paint & glitter on wood, Miles ...
The New Criterion
5 个月
The Critic’s Notebook
On falconry, Lord Byron, Soumya Netrabile, the OneMusic Project & more from the world of culture.
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