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The Paris Review
2 天
Mallarmé’s Poetry of the Void
Hecker’s work points back to Stéphane Mallarmé’s 1876 poem L’Après-midi d’un faune—and its subsequent musical and ...
The Paris Review
4 天
Fifth Sleeper: Gérard Maillet
Sophie Calle is an artist, writer, photographer, filmmaker, and performer whose work often makes use of Oulipian constraints.
The Paris Review
5 天
Fourth Sleeper: Rachel Sindler
Sophie Calle is an artist, writer, photographer, filmmaker, and performer whose work often makes use of Oulipian constraints.
The Paris Review
3 天
Sixth and Seventh Sleepers: Graziella Rampacci and Françoise Jourdan-Gassin
I wake them up. I bring them breakfast. They complain—it’s too early. They would like to listen to Bizet’s Carmen. They are ...
The Paris Review
9 天
What I Want to Say About Owning a Truck
When people see your truck, they tend to see what you can do for them.
The Paris Review
10 天
“Multiple Worlds Vying to Exist”: Philip K. Dick and Palestine
In Lapoujade’s description, the worlds Dick constructs are always on the point of collapsing, precisely because they are ...
The Paris Review
4 天
Auden in the Aquarium
It was a hot day in June.
The Paris Review
6 天
Third Sleeper: Bob Garison
At ten, I wake him up by taking a photo. I bring him his coffee. I forgot the pain au chocolat and disregarded the newspaper.
The Paris Review
4 天
The Hawk's Cry in Autumn
Wind from the northwestern quarter is lifting him high above ...
The Paris Review
5 天
The Black Venus: For Max Ernst
of Sedona, Arizona, with a blank book for poems. Didn't we emerge from the same prehistoric egg amid sparks of jet & obsidian embedded in the hills of Montmartre? "Only Negroes can excite Paris." ...
The Paris Review
12 天
Kevin Killian’s Amazon Reviews, Part 1
From Selected Amazon Reviews, to be published by Semiotext (e) this month.
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