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The Paris Review
2 天
Mallarmé’s Poetry of the Void
Hecker’s work points back to Stéphane Mallarmé’s 1876 poem L’Après-midi d’un faune—and its subsequent musical and ...
The Paris Review
4 天
Fifth Sleeper: Gérard Maillet
Sophie Calle is an artist, writer, photographer, filmmaker, and performer whose work often makes use of Oulipian constraints.
The Paris Review
5 天
Fourth Sleeper: Rachel Sindler
Sophie Calle is an artist, writer, photographer, filmmaker, and performer whose work often makes use of Oulipian constraints.
The Paris Review
3 天
Sixth and Seventh Sleepers: Graziella Rampacci and Françoise Jourdan-Gassin
I wake them up. I bring them breakfast. They complain—it’s too early. They would like to listen to Bizet’s Carmen. They are ...
The Paris Review
2 天
Klimt and Schiele Confront the Cunt
turned impotent, and had to be divorced. The nineteenth century, for all its love ...
The Paris Review
2 天
Category Archives: On Poetry
The following is drawn from one of three texts accompanying Florian Hecker’s Resynthese FAVN, a ten-CD box set to be released by Blank Forms in December. Hecker’s work points back to Stéphane Mallarmé ...
The Paris Review
2 天
At Auden's Grave
From Vienna it’s picture-postcard all the way. Tell me, was ever such a land at ease! The fat farms glistening, the polished pigs.
The Paris Review
6 天
Third Sleeper: Bob Garison
At ten, I wake him up by taking a photo. I bring him his coffee. I forgot the pain au chocolat and disregarded the newspaper.
The Paris Review
2 天
Part of Me Wanting Everything to Live
gave me. I cared for it faithfully, ...
The Paris Review
2 天
For the Bloodline of a Shadow
To coax pale horses from the edge of a wet, blue field.
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